#asianwomenwriters

Mazza Writer in Residence erica lewis and Christine No, reading and in conversation

Steve M Dickison — Fri, 21 Jan 2022 20:31:58 +0000

Saturday, March 12, 2022

03:00 p.m. - 04:00 p.m. PT

Free and open to the public

The Poetry Center, Humanities 512, San Francisco State University

poetry@sfsu.edu

Overview

This program also available via live-stream and at the same link after the event.

Supported by the Sam Mazza Foundation

We've moved to an in-person reading—audience welcome!—at The Poetry Center, though you can still attend by webinar (or watch via live-stream), for the concluding event in erica lewis's weeklong Mazza Writer in Residence program for Spring 2022. She'll be joined by Oakland-based poet Christine No, each reading from their work and engaging in conversation with one another and the audience.

Please note: proof of vaccination and mask are required in order to attend in person.

This book [mary wants to be a superwoman, erica lewis] made me suck my teeth and say goddamn, and yes, and thank you. This book hit me right in the ancestors, spoke to me like a sister. erica lewis is aware that time is fiction, in a way that only black women know. A collage of music and memories, language that’s lived before, people we carry and people we try to forget, causes and effects, the proverb that “everything is everything.” This work is both archival and built from scratch. It’s a stunning altar to the past, a balm for the present, and a prayer for what will be.
—Morgan Parker
Whatever Love Means is a searing ode to abandonment. The poems collected here detail a woman’s pursuit of survival despite the psyche’s cruelest intentions. “Woke up still,” Christine No writes, “a woman hell-bent on her own fantastic demise.” Where one is most vulnerable, one is most resilient, and No’s excavation of exactly that erupts amid these pages. Here, “even the dead are dancing.”
—Jeanann Verlee

Bios

erica lewis lives in San Francisco where she runs lil’ homie apothecary. Her books include the precipice of jupiter (2009) and camera obscura (2010, both with artist Mark Stephen Finein); murmur in the inventory (2013); the first two books of the box set trilogy: daryl hall is my boyfriend (2015) and mary wants to be a superwoman (2017); and all the real tears (2017). Her work has appeared in various anthologies, journals, and in numerous chapbooks (Afterhours Editions/The Song Cave, Belladonna, Lame House). She was born in Cincinnati, Ohio.

Christine No is a Korean American poet, filmmaker and daughter of immigrants. She is a Sundance Alum, VONA Fellow, Pushcart Prize and Best of the Net Nominee, and has served as Assistant Features Editor for The Rumpus, a Program Coordinator for VONA; and currently serves on the board of Quiet Lightning, a literary nonprofit in the Bay Area. Christine is interested in the power of storytelling at the intersection of healing and social justice. You can find her work online and in print; and, her first full length poetry collection Whatever Love Means is available via Barrelhouse Books.

Mazza Writer in Residence erica lewis and Divya Victor, reading and in conversation

Steve M Dickison — Fri, 21 Jan 2022 20:16:39 +0000

Thursday, March 10, 2022

05:00 p.m. - 06:00 p.m. PT

Free and open to the public

Remote access event

poetry@sfsu.edu

Overview

This program also available via live-stream and at the same link after the event.

Supported by the Sam Mazza Foundation

Join us online as erica lewis, Poetry Center Mazza Writer in Residence for Spring 2022, is joined by Kingsley Tufts Poetry Award and Pen American Open Book Award poet Divya Victor. They'll each be reading from their poetry then joining in conversation with emcee, Tatiana Luboviski-Acosta.

mary wants to be a superwoman [erica lewis] is a tapestry of woven continuums. Its images contain a methodical new naturalism where one’s past is the frontier, alternating with the brutal urgency of a witness who would save your life. erica lewis’ poems investigate the practice of identity and the sums of nonlinear biographies. Like a relaxed musician, she has the small secrets of the day at her fingertips.
—Tongo Eisen-Martin
Divya Victor’s Curb is extraordinary: it is a sobering poetic look at how white supremacy “curbs” the brown civilian who can slip between Muslim and Black, between terrorist and illegal. If they’re not targeted for what they are, they’re mistaken for what they’re not—with sometimes fatal consequences. Victor explores the murders of South Asians in America with piercing acumen, re-arranging historical documents into wholly original compositional strategies that draws me in but also pushes me back. I can never know what happened, only perceive the disquieting absence of lives annihilated by structural violence. Layered, rich, and epic, Curb is an incredible collection that must be read and re-read.
—Cathy Park Hong

Bios

Divya Victor is the author of CURB (Nightboat Books); KITH (Fence Books/ Book*hug); Scheingleichheit: Drei Essays (Merve Verlag); NATURAL SUBJECTS (Trembling Pillow, Winner of the Bob Kaufman Award), UNSUB (Insert Blanc), and THINGS TO DO WITH YOUR MOUTH (Les Figues). Her work has been translated into French, German, Spanish, and Czech. She has been a Mark Diamond Research Fellow at the U.S Holocaust Memorial Museum, a Riverrun Fellow at the Archive for New Poetry at University of California San Diego, and a Writer in Residence at the Los Angeles Contemporary Exhibit (L.A.C.E.), and her work has been performed and installed at Museum of Contemporary Art (MoCA) Los Angeles, The National Gallery of Singapore, the Los Angeles Contemporary Exhibition (L.A.C.E.) and the Museum of Modern Art (MoMA). Victor has been an editor at Jacket2 (United States), Ethos Books (Singapore), Invisible Publishing (Canada) and Book*hug Press (Canada). She is currently Associate Professor of English at Michigan State University.

Wang Ping and Ava Koohbor, at Medicine for Nightmares

Carl J. Celedio — Tue, 09 Nov 2021 18:21:48 +0000

Thursday, November 11, 2021

07:00 p.m. - 09:00 p.m. PT

Medicine for Nightmares, 3036 24th Street (btwn Treat and Harrison), San Francisco

poetry@sfsu.edu

Overview

Video live-streamed to our YouTube channel. Media captioning available there after the event.

Join us for an evening set of readings with poets Wang Ping and Ava Koohbor at the exciting new collectively run SF Mission-based venue, Medicine for Nightmares (formerly Alley Cat Bookshop).

Poet, novelist and artist Wang Ping was born in 1957 in Shanghai, China. She earned a BA in English from Beijing University before immigrating to the United States in 1985. Ping earned an MA in English from Long Island University and a Ph.D. in comparative literature from New York University. She is the author of over 12 books of poetry, prose, and translation, most recently the poetry collection My Name is Immigrant (Hanging Loose, 2020) and the memoir Life of Miracles Along the Yangtze and Mississippi (University of Georgia, 2018), winner of the AWP Creative Nonfiction Award (2017). Wang's work is deeply rooted in her Chinese ancestry and identity and addresses the complexities of language, culture, and gender. She has also been featured in several multi-media solo exhibitions, including “We Are Water: Kinship of Rivers,” a one-month exhibition that brought 100 artists from the Yangtze and Mississippi Rivers to celebrate water (Soap Factory, 2014), and collaborated with filmmakers and composers on multiple projects. Minnesota Poet Laureate for 2021-2023, Wang is the founder of the Kinship of Rivers Project at Macalester College, where she taught creative writing as a Professor of English for 21 years and is now a Professor Emerita. More at wangping.com

Ava Koohbor is a poet, visual, and sound artist. Her poems have appeared in various publications as well the chapbooks Triangle Squared (Bootstrap Press) and Sinusoidal Forms (Lew Gallery), and the full-length collection Death Under Construction (Ugly Duckling Presse/ Bird & Beckett Books). Her latest electronic music performance was broadcasted online in The Modular World Anniversary Series. Her latest assemblages (Eye of Noir), hosted by Colter Jacobson, were exhibited at Right Window Gallery. She believes that each artist is a medium to transfer the world of possibilities to what is. She is now pursuing an MFA in Electronic Music and Recording Media at Mills College.

Photo credit: Wang Ping, Kinship of Rivers Project at the Yangtse River, by Fritz Vandover

Event contact:

The Poetry Center

Event phone:

(415) 338-2227

Event sponsor:

The Poetry Center and Medicine for Nightmares